The morning after I sent out a blog post earlier this month about reviewing your work I woke up in a cold sweat. Something was deeply, deeply wrong….
I crept downstairs and turned on my computer. In a few seconds (my laptop opens at lightening fast speed, something I am very proud of) I realised my fear was valid. I looked through the photos I had picked for my ‘best of year’ selection and they were all random shots, devoid of a theme, a subject, a purpose, a mission. They were just a…. bunch of images. And it struck me that I didn’t come anywhere close to completing a project last year, and that was completely frightening.
In this age of camera phones and photography obsession it is no longer enough to produce a few lovely images and then think – OK I’m done, I’m a great photographer!One of my favourite contemporary photographers, Jonas Bendiksen, who produced the incredible photo book Satellites, said that the future of photography will lie not in the beautiful individual photos (I mean who doesn’t have a bunch of those) but in the stories that photographs can tell.
Daisy, from People © Anthony Epes, 2015
And this applies to both amateurs and professionals. Think about your audience, what do they want to see? A few unrelated but lovely shots of a beach or some great street photography, or do they want to be drawn in by you and a story that you have seen and are telling with your work? Think too about what you want to see when it comes to photography. A selection of images, or a story?
And it is in that that I failed last year. OK – to give myself some credit I have been working on my Venice at Dawn book – but not enough! Life, business, my funny children – they distracted me!
Pizza Boy, from People © Anthony Epes, 2015
Over this past week my mind has become a hot bed of intense thinking and just a little anxiety (which isn’t always a bad thing when it comes to being creative. Here’s Kierkegaard on why anxiety powers creativity rather than hinders it, from the beautiful beautiful website Brainpickings.) My question to myself has been – what story do I want to tell this year with my photography? And….. I think I’ve come up with something….It’s too soon to share my subject, but I wanted to share the process I went through with the hope that it might help you think about what story you want to tell with your photography this year.
I love taking photos of cities, and people in cities. I do have some other subjects. A few years ago I exhibited my project on trees, called Arboreal Dreams. So the first question I always ask is:
What do you want to photography – people or things?
Instantly I thought of people. I have done a hell of a lot of cities of late. Even though I do love to photograph the people I find awake in cities at dawn, they are few and far between.
The Painters, from Paris at Dawn © Anthony Epes, 2015
I also decided on people because my last portrait project, The Homeless World Cup, was incredibly fun to do and when I exhibited it last year I got tonnes of great feedback (not that I am taking photos just for the praise mind you :))
Team Indonesia, from The Homeless World Cup © Anthony Epes, 2015
What subjects/news items/themes in life are obsessing you at the moment?
Well, the subject I have chosen is nothing to do with photography, but everything to do with some techy subject I love. Perhaps you wouldn’t know to look at me, but I am a total tech nerd (my wife likes to say I look way cooler than I actually am. I completely disagree).
It’s incredibly important to be passionate about the project you are shooting – otherwise you risk getting distracted, losing interest, having a complete crisis of confidence mid way through the project and you won’t finish it. EVERY project I do I have a crisis of confidence midway through. Every, single, one. Heck I even had a crisis of confidencebefore I started my Paris at Dawn book – how can I photograph the most visited city in the world, and therefore the most photographed, in an original, inspiring way? Was the the big anxiety I faced. Turns out Paris at Dawn is now my favourite of the dawn projects.
Passion for your subject will keep you going when you think – my work is terrible! I hate my photos! Why have I spent so much time on this rubbish! Passion will help you get to the end so that you can settle, look back over the work and think – oh, this is quite good actually.
Is it easy to photograph?
One of the downsides of photographing Cities at Dawn is the mere fact that they are so far away (now that I’ve done two books on London!) Hence my limited progress on my Venice book this year. I will keep going on that, and my other city books, but I realised I need something closer to home to work on when I can’t travel – because that keeps the creative juices flowing. That doesn’t mean your project can’t be abroad – just make sure you are able to commit the time you need to it, and maybe have some smaller projects that are closer to home to keep you motivated throughout the year. (I have used this quote already on a blog of late but it seems negligent not to bring it up again at such an apt time – “You can’t use up creativity. The more you use, the more you have.” Maya Angelou) And let’s be realistic – will I have the time to shoot this?
One of my favourite of my recent projects has been The Belly Project
Belly, from The Belly Project © Anthony Epes, 2015
Talk about subjects being everywhere!
What are you hoping to achieve with this project?
Fame, glory, world-wide recognition? (OK, maybe that’s just me?) Is this part of a wider life goal, or is this a story you just want to share with the world? Is this solely for my family and friends, or myself? It’s good to clarify. If it’s a story you want to share with the world – the good news is there are so many ways now to get your photos out there. Yes it’s a crowded space, but never before has a photographer not affiliated with a news magazine, publisher or gallery been able to have the possibility to show their work to the millions. This is in itself a massive subject – and if people are interested in what we have done to get my work out there then let me know. I would be more than happy to put together a post on websites, news media etc. if that’s something you want to know about.
How many final images?
This sounds like a strange question to ask yourself before you’ve even started but it helps to give you some structure to the project. It’s not set in stone either – even if you think 30 images and come out with 10, you should regularly assess where you are at, have you told the story already? Perhaps you’re taking too many photos and not managing to distill the story into a smaller amount and that should help you focus your work. For my Homeless World Cup project I have about 20 images I am really happy with that, a great amount for that kind of project. For my books – 90 images is around preferable, but that is a 1-2 year intense project, so I would suggest you focus on between 10-20.
The world is littered with unrealised ideas! Don’t let yours add to the heap! Even if you don’t feel ready, or inspired I always think (or my wife does and she tells me so when I am dithering hopelessly) better just to get started and change things if it’s not right than wait for perfect conditions.
“An idea that is developed and put into action is more important than an idea that exists only as an idea.” — Edward de Bono
Things may change
This is normal! Allow for your project to develop as you get to know your subject better and the way you are responding. Have plenty of time to let the work ‘settle’ so you can reassess, evaluate and respond to changes. On a new page on our site of inspiring interviews with iconic photographers, Annie Leibovitz talks in detail about her book ‘Women’. It’s a really interesting to hear how she overcame her initial fear of the project and how it developed as she started to shoot the project.
Some other questions to ask yourself:
- How would you like it to be viewed – prints, online, a book, something more abstract?
- What technical abilities will I need?
- Is my gear enough?
- Who will help me edit?
Now once you’ve done all that thinking, planning, assessing…forget it! You’ve laid the foundations, you’ve done the sensible part, now is the time to get going, and as Picasso said:
“To draw, you must close your eyes and sing.”
I’d love to hear about your photo projects for the year and how you’ve created them. Please do comment, I love hearing from you all!